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Year : 1993
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
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1. Barros, Nicolas de SouzaA adaptação da obra alaudística de Johann Sebastian Bach para alto guitar: Um modelo híbrido. [The adaptation of the lute works of Johann Sebastian Bach for alto guitar: A hybrid model] Mestrado, Performance practice: U. Federal do Rio de Janeiro, 1993. 2 vols. diss. 1993
2. Bioules, AgatheL'évolution de langage contrapuntique de Mozart autour de l'année 1782: L'influence conjuguée de J. Haydn et J.S. Bach. [The development of Mozart's contrapuntal language around the year 1782: The joint influence of J. Haydn and J.S. Bach] Maitrise, U. de Paris IV [Paris-Sorbonne], 1993. diss. 1993
3. Williamson, Barry ScottA Study of Parody Technique and Performance Considerations for Johann Sebastian Bach's 'Mass in G Minor' (BWV 235). DMA diss., The University of Texas at Austin, 1993, 107p diss. 1993 107p
4. Heyder, BerndDie motettischen Sätze in Bachs Kantatenwerk. Magisterarbeit der Philosophischen Fakultät der Universität Köln. - Köln: 1993. 110 S. PC-Druck diss. 1993 110p
5. Claus, Rolf DietrichZur Echtheitsproblematik im Werk J. S. Bachs - dargestellt an der Toccata BWV 565. Wissenschaftliche Hausarbeit zur Erlangung des akademischen Grades eines Magister Artium der Universität Hamburg. Hamburg, 1993. 125p. diss. 1993 125p
6. Anderson, Scott EricChoral singers' timbral descriptions and evaluations of recorded choral excerpts using a dark-to-bright vowel hierarchy. DMA doc., Education: U. of Missouri, 1993. 126p. UMI No. DA94-18459. [BWV 454] diss. 1993 126p
7. Edwards, Mark DouglasA Performer's Study of Three Organ Sonatas from the Eighteenth to the Twentieth Centuries: Bach, Mendelssohn, and Hindemith. DMA doc.: Southwestern Baptist Theological Seminary, 1993, 133p diss. 1993 133p
8. Harlow, Julia TikkerA musician's introduction to Baroque dance. DMA doc., U. of Oregon, 1993. 139p. diss. 1993 139p
9. Tannenbaum, Michele HornerTradition and Innovation in Franz Liszt's Variations on a Motive of Bach. PhD diss.: Kent State University, 1993, 163p diss. 1993 163p
10. Krause, Drew StaffordMusical ambiguity in analysis and composition: Problems of pattern, value, form, and structure. DMA doc., U. of Illinois, 1993. 163p. UMI No. DA9329088 diss. 1993 163p
11. Charron, John P.Fingering, Pedalling and Expression in the Organ Works of J. S. Bach. DMA diss., Performance, Juilliard School, 1993. 186p diss. 1993 186p
12. Wyatt, Susan Beth MastersKurt Weill: A song Composer in Wartime With Three Recitals of Selected Works of Mozart, Strauss, Bach, Schubert, and Others. DMA doc.: U. of North Texas, 1993, 187p diss. 1993 187p
13. Covington, David LeeA diagnostic and analytical model of score preparation: A clinical approach to musical morphology. PhD diss., Florida State U., 1993. 189 p. diss. 1993 189p
14. Mundt, FrankÜberlegungen zu J. S. Bachs lebensgeschichtlichem Wandel am Ende der 1730er Jahre. Eine psychologisch-biographische Studie in Grenzgebieten. PhD diss., Musicology, Humboldt-Universität, Berlin, 1993. 199 Bl diss. 1993 199p
15. Reynolds, Robert LeeThe Bach Sinfonias: A Guide to Analysis and Performance Planning. Univ. of Kentucky, 1993. 234p diss. 1993 234p
16. Mains, Ronda MillerAn investigation of the articulations found in the primary sources of the flute sonatas of Johann Sebastian Bach resulting in a composite edition for analysis and a second edition for practical performance. DMA doc., U. of Oregon, 1993. 281p. UMI No. DA9402035. [BWV 1030, 1032, 1034, 1035, 1079] diss. 1993 281p
17. Reich, WielandMauricio Kagel, Sankt-Bach-Passion: Kompositionstechnik und didaktische Perspektiven. PhD diss., U.-Gesamthochschule Siegen, 1993 - Saarbrücken: Pfau, 1995. 297p. ISBN: 3-930735-21-0. diss. 1993 297p
18. Hicks, Eric MichaelA historical perspective on unity in the keyboard partitas of Johann Sebastian Bach. DMA doc., U. of Texas, Austin, 1993. 317p. UMI No. DA9400833. diss. 1993 317p
19. Sysoeva, AllaProgrammnost' v instrumental'noj muzyke epohi barokko: Problemy tipologii nacional'nyh skol. [Programmatic elements in instrumental music of the Baroque period: Problems of typology of national schools] PhD diss., Music theory: Gosudarstvennaja Konservatorija, Moskva, 1993. Moskva: Rossijskaja Akademija Muzyki imeni Gnesinyh, 1993. 48p diss. 1993 48p
20. Austin, Jack VossellerJohann Sebastian Bach: an Appreciation. MA diss., California State University, Dominguez Hills, 1993. 53p diss. 1993 53p
21. Dube, Michelle Claire'Prelude of Suite V' for Cello Solo by J. S. Bach: Options for Performance. DMA doc., University of Arizona, 1993, 57p diss. 1993 57p
22. Kitchens, Melinda LeunetteFree polyphonic texture in selected early piano works of Robert Schumann. DMA doc., U. of Alabama, 1993. 59 p. diss. 1993 59p
23. Wollny, PeterStudies in the Music of Wilhelm Friedemann Bach: Sources and Style. PhD. diss. Harvard University, Cambridge Mass. 1993. ix, 546, [75] Bl. [p. 414-546: Werkverz.] diss. 1993 637 Bl
24. Hasse, MichaelaAnna Amalia von Preußen: Porträt einer Komponistin unter besonderer Berücksichtigung des soziologischen und des analytisch begründeten stilistischen Standorts von Michaela Hasse. - Münster, Univ., Schriftl. Hausarb., 1993. 82, [35] Bl. diss. 1993 82, 35 Bl
25. Lyman, Kent MarvinGeorge Rochberg's Carnival music, suite for solo piano: An aesthetic compositional and performance perspective. DM doc., Indiana U., 1993. 90p. [BWV 795] diss. 1993 90p
26. Coetzee, Vernon GeorgeKinship between the chorale preludes of J.S. Bach and those of Reger (Op. 67), Karg-Elert (Op. 65), Peeters (Opp. 68, 69, 70), Dupre (Op. 28). MM thesis, U. of Cape Town, 1993. x,359p diss. 1993 x, 359p
27. Derry, Lisa AnneThe Pre-Classical Concerto of Johann Christian Bach: First Movement Design in the Eighteen 'London' Keyboard Concertos. PhD diss., Theory, Indiana University, 1993. xii, 243p. diss. 1993 xii, 243p
28. Botelho, MauroRhythm, Meter, and Phrase: Temporal Structures in Johann Sebastian Bach's Concertos. PhD diss., University of Michigan, 1993. xvii, 589p. [BWV 1052, 1042, 1048] diss. 1993 xvii, 589p

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